Metrophobia

metrophobia: the fear or hatred of poetry.

This blog is to help overcome metrophobia. It is designed to take a real-life, actually said line/phrase of the day and create a poem or an idea of a poem out of it! Feel free to play along and send your real-life poetry.
Wed Sep 24

When Heidegger Hosts a Kegger

Nice title, eh?  But is it to American?  I’m thinking of using it as the title of my collection being published next May by Penned in the Margins Press as part of the Generation Txt Collective.  As it’s being published by a British Press, I feel like the title shouldn’t be too Americanized or no one will get it…

On that note, I started my PhD in Philosophy Monday.  Scary times.  The introduction lectures all basically said ‘the next three years are going to be the hardest ever’.  Nice one.  So off I go to be a philosopher.  Fortunately, the writing aspect aims to reflect in my philosophical work and self, so it should be a clear and concise thesis of 100,000 words. In three years, we shall see what happens, eh?

Right, so back to the important stuff- poetry.  Like I was saying, a title needs to be thought for this collection.  So far we’re at three: 1) When Heidegger Hosts a Kegger, 2) Metrophobia, and 3) The Discovery of the Orgasm.  Interestingly, with the third choice I feel like I need to further explain it’s meaning beyond ‘it’s the title of a poem in the collection’ and I don’t like it for that reason.  ’Metrophobia’ the same- it means ‘the fear or hatred of poetry’ but I don’t know if anyone else knows that.  And we know my issues with the first.  I just wrote a poem called ‘rapeseed’ which I like a lot as a word because it has so many levels.  Attached is the poem, though not finished, but here nonetheless.  

Rapeseed

Left over sunshine burns

through balconies that keep

minds from falling down. 

Recycled tears flicker

on the shutter of eyelids,

flogging predictable

shower-coated cotton

skin with ill-fitted t-shirts. 

Loose grips of penmanship

trade New Zealand for iced

tea. Rip the stationary in two;

frames gather dust on the mantel. 

‘what to do next’ like this:

a camel-backed hourglass

dipped in caramel sauce,

twisted with wrinkles.  a mouth

too small; oil dripping from

hairy pores and smaller-than-

lifesize anatomy against

blackened tongues and ill-

advice.  stoned milk money

in pockets, rapeseed oil lanterns

flickering, lighting the walls on fire.

evesdropping in the night, washing

it with soap.  massaged hands

that stroke the faces of family

members in picture frames. 

you’re satan, you are,

brambled wrists and elbows

ache with bloody scratches. 

scabs of the wicked wearing

scars as hats and delivering

babies with forked tongues. 

opinions welcome :-) 

Sx